Collections / Illustrated worlds

Comics & Animation

Manga, manhwa, graphic novels, independent comics and animation without geographic or genre walls.

Illustrated worlds

Manga, manhwa, manhua, independent comics and graphic storytelling from different traditions.

Nausicaä of the Valley of the Wind — published artworkPublished manga / manhwa artwork, reproduced for editorial identification.
Japan · Manga

Nausicaä of the Valley of the Wind

Hayao Miyazaki’s manga builds a wider ecological and political world than its film adaptation.

The Horizon — original published artworkPublished artwork, reproduced for editorial identification.
South Korea · Manhwa

The Horizon

JH’s Korean manhwa tells a spare, bleak story about childhood and survival.

Tekkonkinkreet — original published artworkPublished artwork, reproduced for editorial identification.
Japan · Manga / film

Tekkonkinkreet

Taiyō Matsumoto’s distinctive urban drawings and story also invite comparison with their animated adaptation.

Trese Volume 1 Murder on Balete Drive, Ablaze cover artworkTrese, Volume 1: Murder on Balete Drive · Budjette Tan / Kajo Baldisimo · Ablaze edition
Philippines · Comics

Trese

Urban crime and Philippine supernatural traditions through graphic storytelling.

Editor-supplied image: Persepolis
Iran / France · Graphic novel

Persepolis

Marjane Satrapi’s autobiographical graphic novel and animated film connect personal life with political history.

Heavy Metal magazine, January 1980, original issue coverHeavy Metal, January 1980 · cover reproduced for editorial identification
United States · Illustrated anthology / adult comics

Heavy Metal

Launched in 1977, the influential American illustrated anthology introduced readers to visionary science fiction, fantasy, horror and European comics, drawing inspiration from France’s Métal Hurlant. Explore the magazine ↗

Métal Hurlant issue no. 1 original coverMétal Hurlant, issue no. 1 · cover reproduced for editorial identification
France · Experimental comics anthology

Métal Hurlant

Founded in 1975 by Jean-Pierre Dionnet, Philippe Druillet and Mœbius, this French comics magazine helped transform adult science-fiction illustration and inspired Heavy Metal. Explore the collection ↗

Editor-supplied image: The Arrival
Australia · Graphic novel

The Arrival

Shaun Tan’s wordless graphic narrative follows migration and the unfamiliarity of new worlds.

Editor-supplied image: The Incal
France · Comics

The Incal

Alejandro Jodorowsky and Mœbius’s visionary science-fiction bande dessinée.

Editor-supplied image: The Rabbi’s Cat
France · Comics / animation

The Rabbi’s Cat

Joann Sfar’s comic and animated adaptation explore religion, language and identity through a fanciful narrator.

Junji Ito — editor-supplied artworkImage supplied by editor; original creator and rights holder retain copyright.
Japan · Horror manga

Junji Ito

A master of unsettling visual horror, Junji Ito turns everyday situations and ordinary bodies into disturbances that linger long after the last page. His works include Uzumaki, Tomie and Gyo.

Explore published works ↗

Animation and screen crossover

Not just anime: animation as an independent artistic medium.

Photo / image: Chris from sillicon valley, USA · CC BY-SA 2.0 · source in Image CreditsEditor-supplied image: Cowboy Bebop
Japan · Anime

Cowboy Bebop

The relationship between episodic animation, jazz, westerns, noir and the music of Yoko Kanno.

Editor-supplied image: Fantastic Planet
France / Czechoslovakia · Film

Fantastic Planet

A French-Czechoslovak animated science-fiction film with otherworldly imagery and social allegory.

The Man Who Planted Trees — editor-supplied artworkImage supplied by editor; original creator and rights holder retain copyright.
Canada · Animated short

The Man Who Planted Trees

Frédéric Back’s animated short adapts Jean Giono’s story with distinctive painterly movement.

The Wolf House — editor-supplied artworkImage supplied by editor; original creator and rights holder retain copyright.
Chile · Experimental animation

The Wolf House

A crossover entry with Cinema at the Margins: stop-motion horror remade frame by frame in transforming spaces.